[PDF/Kindle] Michael Fried and Philosophy:

Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott

• Michael Fried and Philosophy: Modernism, Intention, and Theatricality
• Mathew Abbott
• Page: 276
• Format: pdf, ePub, mobi, fb2
• ISBN: 9781138679801
• Publisher: Taylor & Francis

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Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.

Art & Visual Culture: Philosophy of Art & Aesthetics - Routledge
Michael Fried and Philosophy. Modernism, Intention, and Theatricality. Edited by Mathew Abbott. This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried's art history and criticism. It demonstrates that Fried's work on  Minimalism, Theatricality and Architecture: The Expanded Field of
Likewise, one of Greenberg's followers, a critic named Michael Fried, also called it non-art. For Fried, it was not art because it was "theatrical." Theatricality, for Fried, is a negative condition because it detracts from the autonomy of the work of art and it elides the boundaries between different forms of art. (Theatricality is a  Michael Fried and Philosophy : Modernism, Intention, and - Pinterest
Michael Fried and Philosophy : Modernism, Intention, and Theatricality ( Hardcover) Warwick | Philosophy | Academic Staff | Diarmuid Costello
'On the (So Called) Problem of Detail: Michael Fried, Roland Barthes, and Roger Scruton on Photography and Intentionality,' forthcoming in Mathew Abbott (ed.)Michael Fried and Philosophy: Modernism, Intention, and Theatricality (London: Routledge, 2018). 'Doing Justice to the Art in Photography,' in  The Philosophy of Visual Modernism *** Syllabus - University of
The seminar is devoted to a careful examination of certain writings by MichaelFried and central themes and ideas elaborated in those writings. Among the central Friedian concepts to be explored are theatricality, absorption, and embodiment, with special attention to the implications of his account of these concepts for  The Art Story: Art Critic - Michael Fried
Throughout his career, Fried has been far more preoccupied with concepts of Minimalism and Modernism in art than the idea of Abstract Expressionism. He has described the 1960s as the "last great moment in Modernist art." The critical work of Michael Fried has raised several questions about the role of theatricality, mass 

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